Mortal Man  



Dimensions (height x width): 12 1/2" x 9", 15 1/2” x 12 1/2” (framed).
Paper: Gampi, Somerset, Stonehenge, and Arches in Cream (proofs) and White (edition).
Ink colors: lilac and pink gradient, cobalt blue, black, red, lavender purple, & brown.
Methods used: Hardground & Aquatint. Drypoint and unique “painting” technique on copper matrices.
Printing method(s): Intaglio inking. Paper Lithography on top of Chine Collé.
2022


Decadent Self-Abnegation of Intimacy



 Dimensions (height x width): 30" x 24"
Methods used: Dry Point.
Printing method(s): Intaglio.
2022
 for interest in prints.

The Tunnel


Depicting a still from the Film Possession (1981) Directed by Andrzej Zulawski. Anna (Isabelle Adjani) resides in ⅔ of the frame on the right side wearing a blue dress and clutching it as she sits in a pool of milk, blood, and sewage water inside of a pedestrian crossing tunnel after having a miscarriage. Her face is frozen in a strained scream. This is the final frame from the miscarriage scene. Watch the scene here.
Dimensions (hight x width): 12” x 10”
Paper: Somerset, Stonehenge, and Arches.
Ink colors: black, red, cobalt blue, green, and graphite.
Methods used: Etching. Softground, Lithography Crayon, and Rosin Aquatint.
Printing method(s): Intaglio and Chine Collé.
2022

Bubblegum Disorder

Dimensions (height x width): 11” x 10” & 7” x 7 1/2”
Paper: Western white cotton.
Ink colors: Black & pale pink.
Methods used: Drypoint Engraving and Variations include Screenprinting.
Printing method(s): Intaglio and Monotype.
2022

Betrayal of the Future




Dimensions (height x width): 22” x 13”
Paper: Tan Thin Paper Made in China
Ink colors: Black
Methods used: Drypoint Engraving and Variations include Paper Lithography.
Printing method: Intaglio
2022

Filmeater


Using illustrations of saw blades and frogs distored on a xerox machine and a scan of a few frames that I cut out of my 16mm film What is Art (2022). This is one of many variations I made using these printing techniques and screens.
Printing Methods: Screenprinting and Paper Lithography.
Paper Type: Western White cotton paper.
Ink Colors: UV reactive green, black, and lime green.
2022

Cruise Paradise



Cruise Paradise’s first installation was 24 prints illuminated by blacklight in the bathrooms of the Seattle underground techno rave Somatica.

The latest installation was of the four main prints in the series of Cruise Paradise, again illuminated by black light. Hung in the Teal Building, previously ‘R Place,’ Seattle’s historic Gay Club, is a setting fit to mourn the perverse and free queer sexual utopia. The prints are made of layers of cream pastels and posca paint pens that glow in vibrant outlines of genitalia and flirty exchanges over screen-printed leather daddies and psychedelic patterns reminiscent of the 70s queer scene. Cruising post-AIDs/HIV is mainly virtual, Cruise Paradise attempts to capture the convoluted pursuit of the sexual/cruising utopia of the past for gay men which can act like a rite of passage. As José Esteban Muñoz puts it in Cruising Utopia (2009), “Ecstasy is queerness’ way,” it flickers to life in the pounding walls of clubs and underground raves.

Four of the pieces from the series were featured in a local rave scene zine night light vol. 1.

Dimensions (height x width): approx 20” x 32” each (4 total)
Paper Type: Bristol.  
Printing Methods: Screenprinting.
Other: Posca paint pens and cream pastels.
2023

Woven Worries



Printing method: Paper lithography.
Paper: Sommerset.
2021

Blood Moon


Description: Two sheep for sacrifice on the Blood Moon.
Paper: Sommerset.
Printing method(s): Relief and Paper lithography.
2022